{"id":171,"date":"2021-10-29T19:36:54","date_gmt":"2021-10-29T19:36:54","guid":{"rendered":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/?page_id=171"},"modified":"2021-11-10T05:56:35","modified_gmt":"2021-11-10T05:56:35","slug":"here-we-are-a-production-history","status":"publish","type":"page","link":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/head-over-heels-fall-2021\/here-we-are-a-production-history\/","title":{"rendered":"Here We Are: A Production History"},"content":{"rendered":"\n

Head Over Heels<\/em> runs at the University of New Haven from November 10-13, 2021. But like the citizens of Arcadia, it has had many stops on its journey<\/span>.<\/p>\n\n\n\n

Oregon Shakespeare Festival<\/h2>\n\n\n\n
\"\"
The cast of “Head Over Heels<\/em>” at Oregon Shakespeare Festival<\/figcaption><\/figure><\/div>\n\n\n\n
  • Ran from June 3, 2015 – October 10, 2015<\/li>
  • Book writer was Jeff Whitty<\/li>
  • Directed by Ed Sylvanus Iskander<\/li>
  • This version of the show was closer to Arcadia<\/em>
    • Included the character of Philanax as “The Duke’s Fool,” though in Arcadia<\/em> he is Basilius’s trusted friend and likely one of his advisors. The show used Philanax as a framing tool and narrator <\/li>
    • “The Oracle” is a woman and has no personal relationship to the other characters<\/li><\/ul><\/li><\/ul>\n\n\n\n

      San Francisco: The Curran Theatre<\/h2>\n\n\n\n
      \"\"
      “Head Over Heels” adopts its Broadway branding<\/figcaption><\/figure><\/div>\n\n\n\n
      • Ran from April 10, 2018 – May 6, 2018<\/li>
      • Book writer changes to James Magruder<\/li>
      • Director changes to Michael Mayer<\/li>
      • The script is overhauled and, while it strays further from Arcadia<\/em>, it becomes the show as it opened on Broadway
        • Eliminates Philanax and his framing of the show<\/li>
        • The Oracle becomes Pythio<\/li><\/ul><\/li><\/ul>\n\n\n\n

          Broadway: The Hudson Theatre<\/h2>\n\n\n\n
          \"\"
          The cast of “Head Over Heels” on Broadway<\/figcaption><\/figure><\/div>\n\n\n\n
          • Ran June 23, 2018 – January 6, 2019<\/li>
          • Received mixed reviews by critics but developed a devoted fan following<\/li><\/ul>\n\n\n\n

            Now \/ Future<\/h3>\n\n\n\n
            \"\"
            One of the University of New Haven production’s posters, artist: Emma Bender<\/figcaption><\/figure>\n\n\n\n

            The history of Head Over Heels<\/em> continues to be told. The first production to take place post-Broadway happened in New York in August 2019. With the return of live theatre, productions are now happening all over the country<\/p>\n\n\n\n

            • University of New Haven, November 10 – 13, 2021<\/li>
            • A re-imagined version of Head Over Heels<\/em> is set to run at the Pasadena Playhouse in California from November 9, 2021 – December 12, 2021
              • The production is directed, choreographed, and conceived by Jenny Koons and Sam Pinkleton<\/li>
              • It reshapes the show into an immersive, concert-style, 80-minute one act <\/li><\/ul><\/li><\/ul>\n\n\n\n
                \"\"
                The seating model for the current production of “Head Over Heels” at the Pasadena Playhouse<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

                Head Over Heels runs at the University of New Haven from November 10-13, 2021. But like the citizens of Arcadia, it has had many stops on its journey. Oregon Shakespeare Festival Ran from June 3, 2015 – October 10, 2015 Book writer was Jeff Whitty Directed by Ed Sylvanus Iskander This version of the show […]<\/p>\n","protected":false},"author":296,"featured_media":0,"parent":150,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-171","page","type-page","status-publish","hentry","post-preview"],"_links":{"self":[{"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/pages\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/users\/296"}],"replies":[{"embeddable":true,"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":17,"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/pages\/171\/revisions"}],"predecessor-version":[{"id":301,"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/pages\/171\/revisions\/301"}],"up":[{"embeddable":true,"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/pages\/150"}],"wp:attachment":[{"href":"https:\/\/unewhavendh.org\/theaterarts_remoterepertory\/wp-json\/wp\/v2\/media?parent=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}